I am finished with us.
with this.
Your lamentable, self-righteous sympathy.
I will show you
pity.
I will teach you to pity me.
I have grown tired of this,
of this.
This deluded idea you have
of the permanent and cursed hold
you have on me.
For I will show you
how tight your grip
proves to be.
I’ll slip through your fingers,
morph once again
until the girl you think you’ve trapped
is no more than an idea,
a notion you thought up one day.
Your loss is,
it’s the wrong one. I’m stronger
than the simpering selfless girl you’ve made me.
I have risen
above you.
Your charm, mystical intrigue.
I can see you,
stripped of them
I’m the one
who dressed you.
A.N. Kuhlman
Burned by the sun,
dry and crisp, bleached as gold
as it once was green.
the corn is ready for sacrifice
yielding itself to the harvest.
Flat vistas of stale gold,
wind calling ghosts
as it wails through the husk.
These wastelands roll on
punctured by windbreaks.
Evergreens so old, no one remembers
who planted them.
They shelter these silicone houses
with additions and hot tubs,
watching over the shells of homesteads, too,
as vandals hack out old banisters and doorframes.
This rural autumn does not shelter;
There are flashes of orange among the groves
and rifle shots echo in the creek.
A.N. Kuhlman
A poem about the fall in the springtime, but I was thinking about home.
(a sestina)
I’ll yield to the whispered arch of song,
the sickening, quickening, dark
spectre. This firm grip of sweet
senselessness offers no absolution
or condemnation, still it slips
through the fingers that dare to grasp at light.
The season deepens, and with it lightens
my hold on lids which open legions of unsung
angels. The taut silence slipped
past and waits in the gathering darkness
to be reclaimed, while I go to absolve
past wrongs and rites that linger in lost sweetness.
My cracked shell of the sweet
girl lies bathed in lightness,
misplaced in the folly of absolving
the shrill, grating song
of an oft-told tale. Such excuses fail darkly
when on truth we’ve stumbled, and slipped
into the caverns of a world more slippery
than one’s thought. This pale doll’s face contains the sweet
deception that crawls and claws through darkening
trust, and finally fails to satisfy. Lighter,
then, this mantle of belief, it resists the songs
that would convince, it knows now there are no absolutes.
So I throw back this insipid absolution
that will not be given or taken, or slipped
through a door in the night. I’ve sung
the defense, whispered of the sweet
carelessness left behind with the light.
I’ve been swathed in a cold, proud dark.
I’ll face the swirling tempest of blame, the darkening
twilight of the unabsolved.
The grey morning waits with only slate light
to give. A sparkling dawn has slipped
through fingers that grasped at sweetness,
leaving a requiem to sing.
I left the walls singing, begging for dark,
a quiet absolution, sweetness that would not cloy.
Enlightened, a slip of deception my despair.
A.N. Kuhlman
I.
I have never been to Chinatown.
I have never been south of Roosevelt.
Forget this, let’s just go,
buy bootleg DVDs with subtitles
you can’t get rid of,
and counterfeit Chloe bags,
whose zippers don’t work,
but look just like the real thing.
It’s still dark though. The shops
aren’t open this early, only purveyors
of other counterfeit things.
I didn’t know Michigan Avenue was still
Michigan this far down.
II.
Brown paper,
crisp, pristine, concealing intentions.
It could be any prescription.
I woke up too early,
and came to
too late.
There is a sort of snap,
a string breaking
that can never be restrung.
III.
Blood blooms in water
like a flower,
like poppies,
marking an unmarked grave.

come home my love-
these walls aren’t mine
unless you inhabit them,
as you inhabit me.
the sheets are salty
with last night’s sweat
and today’s tears.
they smell of smoke
and your cologne.
I try to count
the five hundred threads
but keep getting lost,
the pattern always makes my eyes
lose focus.
If we had lived
in Tudor England,
you would have cut off my head
years ago.
I am not very good at housewifery,
and played you like a fool.
I came home
with someone’s lips
still hot on my skin,
and you were none the wiser.
I lied and lied
and called up false tears when needed,
you licked up every drop,
the way a beaten dog
still defends his master.
I sneered at your loyalty,
I abhor your predictability,
the way I could still have you back,
if I wanted.
So perhaps I would have kept my head,
and you would wander the court,
cuckolded and devoted still.
A.N. Kuhlman, 2010
It’s a dense misty day in Chicago. Days like this, I don’t want to go anywhere or do anything. I just want to curl up with a book and some tea and not resurface. But I have to work later, so soon I have to unwrap myself from my blanket, detach myself from the couch and put on clothes and my face, and let the foggy city see me. Chicago is a city that sometimes just feels dark. It can be unbelievably bright and sunny sometimes, but those days never seem real. Days like this, with loud sirens and car horns carried on the fog seem to suit it better.
It’s because of you
I can never finish what I start.
Abandonment runs in my veins
next to the blood
that comes from you,
the seeds you planted.
Remember how long it took
for you to rebuild my closet?
You tear things up just fine,
but then can’t be bothered
to put them back together.
It’s because of you
I get so angry I can hardly speak.
This temper of ours
runs cold and quiet
though we can scream
just as well.
Remember how red your face gets?
when your jaw is clenched,
and the chin you gave me quivers.
You never stayed
to see the wreckage of your rage.